I like kind of natural, woodsy earth tones. I like patchouli. I like tobacco. I like sandalwood. I like tree resin. I'm not a huge fan of citrus - I like things that are kind of moodier and... more deeper base notes.
I believe in luck and fate and I believe in karma, that the energy you put out in the world comes back to meet you.
I'm enjoying the aging process and the gray hair and the wrinkles.
Critics think we try to make bad films. They think we want to spend five months of our lives making something bad. We always go out with the best of intentions, whether it's fluffy comedy or a drama.
For me, fragrances are very - one of these beautiful art forms that bring about a whole host of things. It's what you want to smell like, it's memories that make you smile or are resonant of times in your life, it can remind you of music. If you're a lover of scent, it's a very kind of particular and evocative thing.
Life flies by, and it's easy to get lost in the blur. In adolescence, it's 'How do I fit in?' In your 20s, it's 'What do I want to do?' In your 30s, 'Is this what I'm meant to do?' I think the trick is living the questions. Not worrying so much about what's ahead but rather sitting in the grey area - being OK with where you are.
Uh, I do not wear a wig in 'Star Trek' like I did in 'Bottle Shock,' thank God. 'Bottle Shock' will be the last wig movie I ever do.
The only thing you sometimes have control over is perspective. You don't have control over your situation. But you have a choice about how you view it.
There are going to be good times and bad times, but lighten up.
What am I going to tweet about? My sneakers?
If I had let myself off the hook in college, I could have enjoyed myself a lot more. Knowing that I can't have those years back, I have learned to get the most out of living in the now.
After many years of self-flagellation, I've realised that beating myself up doesn't get me anywhere.
As an actor, it easy to be so self-critical, saying to yourself, 'Am I good enough? Am I good looking enough? Am I smart enough?'
I think the great thing about the Jack Ryan films is that the plot and the story always take center stage. If you've done your job as the actor portraying Jack Ryan, you are present enough to make an impact, but you let the story shine.
I don't usually read self-help books, but I read a great book by a guy called Wayne Dyer: 'The Power of Intention,' which I loved.
The more you are positive and say, 'I want to have a good life,' the more you build that reality for yourself by creating the life that you want.
I like a deep sports massage - a casual beating up. I try to get them whenever I can, usually more if I'm getting in shape for a role.
The mythic journey is always about selflessness.
You either listen to the naysayers and fall into the pit of self-loathing, or you stay on the path and move forward.
I think the western is about people in harsh places trying to tame an unfriendly wilderness. Because life is defined by struggle, it's kind of the perfect microcosmic experience to explore that. 'Here we are, struggling.' It's about people persevering and persevering and persevering.
It's really interesting that, in 'The Avengers,' the character that people relate to is The Hulk, and I think the reason why they relate to The Hulk is because he's fragile and human and faulty.
The great thing about theater is that you have so much time to prepare, and to fail, before presenting it to the public. In film, the high-wire act seems to be that much farther up, and the net seems to be less there.
Whether you're scared of getting into a relationship; or taking the new job; or a confrontation - you have to size fear up.
For me, I love exploring ideas and throwing stuff against the wall and seeing what fits, and if I had a really nice collaborative team around me who could deal with the more day-to-day minutia, that would be fun. And directing sometime in the future and writing... yeah, I can see that all in my future. But I can be incredibly lazy.
Mediocrity scares me. It's the fear of not being as good as you want to be. If you give over to that fear, it will sabotage you. As much as I can, I try to use that fear to guide me.
Growing up in a family of actors, what's great about it is that they're very supportive and they understand what it's like to be an actor - the rejections, the highs and lows... and having a common language with them is great because you have shorthand speech.
I think the most dangerous word in the English language is 'should.' 'I should have done this.' Or 'I should do that.' 'Should' implies responsibility. It connotes demand. Which is just not the case. Life ebbs and flows.
I don't think there's anything less attractive than a man over-dyeing things on his face, so I'm going to try, for as long as I can, to age as my male forefathers before me. My father started getting grays when he was in his 30s, as did my grandfather before him, so I don't want to look perpetually young.
At the end of the day, you have a job to do, and if you don't do your job, you're going to get fired. You just have to kind of put your head down and do it.
I really like the ritual of shaving. I like getting the perfect brush and finding the right sandalwood soap. The act of shaving, though, is not fun. I like beards and the ease of them.
Musical theater is great; you get painted up, you get to play princesses and witches, and you sing. The joy alone of that can really carry a lot.
It's so rare to get all of your muscles firing at once. That's what I look for in any role.
I was never much of a musical theater guy, but I have so much more respect for the art form, the physical exertion of doing eight shows on Broadway a week, I cannot even fathom it.
I have such awful skin; it doesn't matter what magic serum they think they're putting on - I'll usually break out.
Anytime you take on a character... you just have to find the parts of the character that you can understand.
You see Justin Bieber and Robert Pattinson, what they go through, and dude, that's not as exciting as it looks.
I always enjoyed singing; I played guitar.
I have worked hard to get where I am.
Action films unfortunately don't let you spend a lot of time sitting. So you don't have much time to create something indelible or unique.
From Drew Barrymore to Robert Downey Jr., there's a long list of people who have faced their troubles, wildly overcome them, and succeeded.
When I was a younger actor, I was pretty much solely motivated by validation. I just wanted to be told I was good and handsome and a part of the gang. It was pretty simple animal-social stuff. I don't care as much about those things anymore.
Therapy's like going to the gym.
You can be many miles away and press a button on a keyboard, and it can cause devastation.
One thing that I do find really sexy is a girl who's good at crossword puzzles.
The mass audience doesn't want to see you if you aren't perfect. If you don't look a certain way, if you don't have big pecs and great skin and the perfect eyes. And it's unfortunate, because kids are growing up with body image dysmorphia because not everyone is represented on the screen.
There have been, like, three auditions in my life where I feel like I'm in a 'Saturday Night Live' skit.
I had a job at this French restaurant, and I hated it. I don't like serving; I don't like getting people ketchup.
If you had no real training, if you hadn't spent years and years studying a martial art, how would you kill the bad guy?
I like a fragrance that you notice and want to find out more about - get a bit closer. I don't want to walk in and be jolted awake by someone's smell.
The things that motivated me at 21 don't suffice. Which is scary but really liberating in a way. It's taken me a long time to feel like, instead of being invited to the party with a bunch of people I don't know, that I actually deserve to be here.
For me growing up, Christmas time was always the most fantastic, exciting time of year, and you'd stay up until three in the morning. You'd hear the parents wrapping in the other room but you knew that also, maybe, they were in collusion with Santa Claus.
I cry all the time - at work, at the shrink's, with my lady. 'The Notebook' killed me. 'Up' destroyed me.
Dating someone on the opposite end of the happy spectrum teaches you an incredible amount of patience.
I think we just live in a time of the selfie. So there's a sense that everyone's uniqueness and importance on this planet should be displayed and reveled in, and that there's kind of a piece of glory for everyone.
I never really thought about myself being in really big movies at all. In fact, I always though I'd do, I don't know, smaller movies is not quite the right word, but more character-oriented, dramatic things. I took myself a little bit seriously.
I'm definitely of the 'less is more' mentality, and what I really appreciate is that fragrance is chemical, and it changes with your body throughout the day. It's a very deeply personal thing. One smell on one person isn't the same on another, and I appreciate the uniqueness of that experience.
The first audition I went out on was because my father was on an audition for a TV show called the 'Gilmore Girls,' and that kind of snowballed a lot of stuff in my life.
Film is just a different version of what we did round the campfire when we were Neanderthals. We tell stories so people can learn things and relativise things.
I think the first thing that I saw on IMAX was 'The Avengers.' The scope and the size of it are pretty neat, I will say that.
My father calls acting 'a state of permanent retirement with short spurts of work.'
Not a fan of spiders. I saw the movie 'Arachnophobia,' which was single-handedly rated in the top three worst choices of my life.
I'm sensitive, and I don't ever want to make anyone feel uncomfortable.
For me, work is one thing, and my life is another.
Imagination is a pretty powerful thing, and when you're in the moment and you're riding a train and you're asked to look scared, I don't know, it just kind of works out. And in those moments where you're actually doing some of the stunts, then it's not so hard at all, because there's an actual fear there.
Those big films are scary things. There's so much money behind those things. There's that hype. You enter a machine.
We come from fallible parents who were kids once, who decided to have kids and who had to learn how to be parents. Faults are made and damage is done, whether it's conscious or not. Everyone's got their own 'stuff,' their own issues, and their own anger at Mom and Dad. That is what family is. Family is almost naturally dysfunctional.
I'm an actor, but I am an awful liar.
In high school, I once sang 'Let's Get It On' and 'Brown Sugar' with a band that included my English teacher and my math teacher.
Generally speaking, the more money that's involved in anything, the more people are expecting and hoping that it's not going to fail.
I feel prematurely old. I'm actually having this major belated quarter-life crisis. I'm turning 30 in a couple of weeks. I've been thinking a lot about mortality. A lot about what I'm going to do with my life and how to enjoy it. One of the things I'm going to work on is being more spontaneous, letting go, embracing the beauty of come-what-may.
What am I going to tweet about? My sneakers? Or, 'I have 140,000 friends on Facebook.' What does that even mean? I find it to be a waste of time.
I performed and sang at school but as a child it was never anything I was interested in doing professionally.
I talk to myself, especially in the car.
I work out because that's my job, but what I enjoy about it, beyond the vanity, is the Zen of it. I like getting out of my head, and one great way to do that is to sweat your face off. And to know that, if you're thinking of anything else, you're not working intensely enough.
I grew up in a house where my father went on auditions, and he got some and he lost some, and there were good years and lean years. I didn't expect anything from the business, and that's often a danger in Hollywood, the notion that if you're pretty and have white teeth and just show up for the game then you'll win.
My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits, lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both worked on at Universal.
I think it's a very healthy thing to learn from what's happened in the past. But only if you look at what happened and think, 'How could I have dealt with that differently?' Then let it go.
I don't know any kid that's not afraid at some point going to bed with the lights off, totally. That's why they make nightlights.
Women think that men don't talk about their feelings with guys. We do talk to friends about relationships, but it's succinct - 10 minutes, then we move on.
I do like dating cynics - they tend to be incredibly funny.
I'm always calculating what I want to do, who I want to be, what I want to accomplish. I don't need to worry about that - that's always there on a slow simmer. The muscle I have to work on is being more present.
I'm more cerebral than I want to be.
When you feel like an oddball, it never really leaves you. Even now, I'm better around people who are uncomfortable with themselves - the misfits.
I was a shy kid, a late bloomer. At 22, I was probably 16 emotionally.
Work takes up a lot of my brain space. So when I work, it's one thing. I don't have a lot of time to think about dating.
Theater will always be a huge part of my life. The high I get from doing theater is not, quite honestly, matched by many things. I like the fact that when you step out on the stage, for that given night, for better or for worse, you are the master of the boards. I love it to death.
My nana was an actress, my mom was an actress, and my sister, too. So because I was surrounded by it, it really came naturally.
'Star Trek' scared me a lot more than 'White Jazz.' It terrified me, really. Because of the scale, the responsibility, the fact that it was this iconic character. It was the bigger challenge, so I had to take it.
Fear runs our lives. It doesn't matter who you are. You have to understand your relationship with fear. Whether you're scared of getting into a relationship; or taking the new job; or a confrontation - you have to size fear up.
When you want something enough, it brings out primal emotions. You get into this place of 'must happen, must happen.'
Everybody's got family, or they don't have family, but they come from somewhere.
Just lead your life and try to make the best decisions.
My fans have designated themselves the, uh, 'Pine Nuts.' They're a nutty bunch.
'Star Trek' is about a bunch of disparate people and what they're capable of when they work together.
I find it really hard to even read another script while shooting.
I would love to do more theatre, musicals... everything.
I'm so envious of that genetic wiring that immediately puts a smile on your face. My genetic wiring just puts creases in my eyebrows.
I enjoy dating. I love first dates. I think they're incredibly fascinating studies in human psychology. When you sit down across from someone on a first date and things are going alright, you talk objectives. We want to win each other over, so how do you win someone over? You have to put the best foot forward.
Any actor wants to do interesting roles, different roles. It's not all that much fun to do the same thing over and over again.
I do enjoy doing action quite clearly, but I also really like doing comedy.